The Vi7000 digital mixing consoles delivers the best Vi sound ever, bringing optional 96kHz processing, upgraded channel counts and even more reliable hardware to live sound's most popular mix interface. Partnering a compact control surface with new Local
The Vi7000 digital mixing consoles delivers the best Vi sound ever, bringing optional 96kHz processing, upgraded channel counts and even more reliable hardware to live sound’s most popular mix interface. Partnering a compact control surface with new Local Rack and Active Breakout box hardware, Vi delivers simultaneous mixing of up to 128 inputs and 32 mono/stereo busses. Pristine sound quality is assured by ultra-low noise mic amp designs and enhanced 96kHz* 40-bit floating point digital audio processing, while FX come courtesy of 8 independent Lexicon multi-FX units, BSS DPR901ii integration and a BSS graphic EQ on every bus output. Rapid configuration and powerful automation features, radio mic status monitoring and extensive ViSi Connect I/O expansion (EtherSound, CobraNet, Dante, MADI, etc.) complete the package. * Additional DSP cards and reduced channel count required for 96kHz operation
| Frequency Response | Stagebox Mic Input to Line Output: 20 Hz to 20 kHz, +0/-1 dB |
| AES/EBU | AES/EBU In to AES/EBU Out: 20 Hz to 20 kHz, +0/-0.2 dB |
| THD & Noise | Stagebox Mic In (Min Gain) to Local Line Out (22 Hz to 22 kHz): 0.003% @ 1 kHz Stagebox Mic In (Max Gain) to Local Line Out (22 Hz to 22 kHz): 0.020% @ 1 kHz Local Line In to Line Out (22 Hz to 22 kHz): 0.003% @ 1 kHz Mic Input E.I.N (22 Hz to 22 kHz Bandwidth, Unweighted): <-126 dBu (150-Ohm Source) Residual Noise, Stagebox Line Output; No Inputs Routed, Mix Fader @ 0 dB: -91 dBu CMRR, Stagebox Mic Input: 80 dB @ 1 kHz |
| Input & Output | Mic Inputs: +28 dBu Max Line Inputs: +22 dBu Max Line Outputs: +22 dBu Max Nominal Operating Level: +4 dBu (-18 dBFS) |
| Impedance | Mic Inputs: 10 Kilohms All Other Analog Inputs: >10 Kilohms Line Outputs: <75 Ohms AES/EBU Outputs: 110 Ohms |
| Oscillator | 20 Hz to 20 kHz, Pink/White Noise, Variable Level |
| CMRR | Stagebox Mic Input: 80 dB @ 1 kHz |
| Sampling Frequency | 48 kHz or 96 kHz |
| Latency | Stagebox Mic Input to Local Line Output: <2 ms @ 48 kHz, <1 ms @ 96 kHz |
| Internal DSP Resolution | 40-Bit Floating Point |
| Internal Clock Precision | <50 ppm |
| Clock Jitter | Internal Clock Jitter: <5 ns |
| External Sync | BNC Wordclock |
| Equalization | HF EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, 18 dB, Q = 0.3 to 8.7 or Shelving Hi-Mid EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, 18 dB, Q = 0.3 to 8.7 Lo-Mid EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, 18 dB, Q = 0.3 to 8.7 LF EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, 18 dB, Q = 0.3 to 8.7 or Shelving |
| Metering | Internal 20-Segment LED Bargraphs 9-Segment Gain-Reduction Meters for All Inputs and Outputs Peak Hold Variable from 0 to 2 s |
| Mains Voltage | 90 to 264 VAC, 47 to 63 Hz, Auto-Ranging |
| Power Consumption | 300 W |
| Operating Temperature | 32 to 113F / 0 to 45C |
| Relative Humidity | 0 to 90%, Non-Condensing, Ta = 104 F / 40 C |
| Storage Temperature | -4 to 140F / -20 to 60C |
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