GOOD CONDITION, COMES IN ORIGINAL BOX AND ALL ACCESSORIES. HAS BEEN CHIPPED A LITTLE AT THE TOP AND SCRATHED. SEE PICTURES.Create your next musical masterpiece with the limited-edition grayKorg Nautilus AT, a flagship music workstation with a 61-note keybo
GOOD CONDITION, COMES IN ORIGINAL BOX AND ALL ACCESSORIES. HAS BEEN CHIPPED A LITTLE AT THE TOP AND SCRATHED. SEE PICTURES.
Create your next musical masterpiece with the limited-edition grayKorg Nautilus AT, a flagship music workstation with a 61-note keyboard with aftertouch. The Nautilus AT offers a vast palette of sounds, integrated editing with a detailed 7″ TouchView display with gesture support, 16-track sequencer, 16-track audio recorder, and extensive sampling capabilities. The sound engine and content library have been updated and expertly fine-tuned to provide exciting aftertouch-controlled effects to existing programs plus new content.
The Nautilus AT includes Essential and Future sound sets for a total of 3000 programs and combinations. The instrument features nine distinct sound engines, with each engine dedicated to authentically reproducing its respective instrument type, including detailed pianos, vintage keyboard sounds, tone-wheel organs, ethnic instruments, plucked instruments, analog synthesizers, and more. The Nautilus is equipped with over 197 different effect types and can use up to 16 simultaneous effects and 32 simultaneous EQs for massive production power. The Nautilus delivers professional sound quality and capabilities in an affordable, streamlined performance synthesizer.
Top Features
Sound EnginesSGX-2 Premium Piano
EP-1 MDS Electric Piano
CX-3 Tonewheel OrganThe original KORG CX-3 combo organ went on sale in 1980. Loved by musicians around the world, this classic organ reappeared in 2000 as a new product with the same name but using the latest technology. In NAUTILUS, the CX-3 engine precisely models this classic tonewheel instrument. Proprietary KORG technology has been used to perfectly reproduce the vacuum-tube amp and effects such as vibrato/chorus. Special attention was given to the rotary-speaker effect, which lets you choose from seven types, using the NAUTILUS’ joystick in the X-axis to control the speed. Even the instability, fold back, leakage, and noise of the tonewheels have been obsessively analyzed and recreated. The organ sounds heard in legendary performancessome recreated here by the original artistsare now yours for the playing. Experience these classic organ sounds, reborn for the present day.
HD-1 High-Definition SynthesizerHD stands for High Definition, indicating the HD-1’s superior sound starting with KORG’s proprietary low-aliasing sample playback oscillators, full-bandwidth multimode resonant filters, and extraordinarily fast and smooth envelopes and LFOs. The HD-1 is the most powerful PCM sound engine in KORG’s history, into which KORG has poured all the PCM know-how accumulated since the M1. All of KORG’s acclaimed PCM sounds are painstakingly created by specialized technicians. Data that was reluctantly omitted from previous models due to limited memory has now been called back into service on the NAUTILUS. The amount of waveform memory alone might rival a PC-based sound engine. Yet the real difference is in the completely different level of quality and finish that is obvious when you play these sounds as instruments on the NAUTILUS. The finest technicians, working on the finest platform, and aiming at the finest qualitythat’s the HD-1.
MS-20EX Legacy Analog CollectionPacked with cutting-edge technology, NAUTILUS nonetheless has respect for the classics. The KORG MS-20 first appeared in 1978 and quickly captivated many synth fans with its rich personality marked by thick and solid sound, aggressive filters, and patching capability that provided nearly infinite possibilities for creating sound. Using KORG’s CMT (Component Modeling Technology) the MS-20EX faithfully reproduces the MS-20 while dramatically expanding its patch-panel functionality. Modulate filters with audio-rate oscillators; turn audio inputs into control signals; control all of the original knobs with mod sources including additional envelopes, LFOs, and real-time controllers. It’s a tweaker’s dream. And of course, the NAUTILUS version is now majorly polyphonic.
PolysixEX Legacy Analog CollectionThe Polysix first appeared in 1981, offering six-voice polyphony and program memory, and a surprisingly competitive price tag. With its self-oscillating four-pole filter, smooth analog oscillator, and sub-oscillator, plus a lush chorus/ensemble effect, the PolysixEX extends the abilities of the original in many creative ways. The strings and pads that were such a major feature of the Polysix will be invaluable when you need the sounds of the early ’80s. The classic arpeggiator built into the original Polysix is provided. As a bonus, it’s also capable of extremely high polyphony.
AL-1 Analog SynthesizerFeature packed, the AL-1 is the same premium analog-modeling sound engine that was first featured on the KORG OASYS, the Open Architecture Synthesis Studio back in 2005. Completely eliminating aliasing noise and delivering the supple and fascinating sound of analog synthesis, this sound engine uses oscillator waveforms and filter morphing to generate new sounds that were unobtainable for analog synthesizers of the past.
MOD-7 Waveshaping VPM SynthesizerThis sound engine uses VPM synthesis based on the VPM (Variable Phase Modulation) technology that powered two classic instrumentsthe Prophecy appeared in 1995; and the Z1 appeared in 1997 as a further evolution, adding PCM sample playback, multimode filters, and external input to create a freely patchable semimodular synthesizer. Combine Variable Phase Modulation (VPM) from KORG’s classic Prohpecy and Z1, add in some waveshaping and a little ring modulation, mix in a few samples, and add subtractive synthesis, plus a modular patch-panel system, and you have the MOD-7. Exceptionally versatile, it offers everything from classic FM keyboards, bells, and basses (including the ability to import sounds from vintage DX synths) to rhythmic soundscapes, and sparkling, epic pads.
STR-1 Plucked StringsBased on the physical-modeling know-how KORG developed over the course of many years, this struck / plucked-string physical-modeling sound engine takes advantage of cutting-edge technology. This sound engine shines at producing sounds whose tone responds to your touch in ways that are difficult for a PCM sound engine to reproduce: acoustic guitar, electric guitar, harpsichord, clavinet, harp, bell, as well as ethnic instruments. It also goes much further, allowing you to synthesize and modify sounds that do not exist in reality. This is a sound engine of the future, one that allows the synthesizer programmer to construct truly new sounds.
Additional Features
Optimized for Live PerformanceSet Lists provide easy on-screen selection of Programs, Combinations, and Songs from a single screen. Smooth Sound Transitions (SST) provide overlapping effects and voices when you change sounds, with no special mode necessary.
EffectsThe Nautilus AT comes with 197 types of professional-grade effects that offer a stunning range of freedom, including chorus, delay, reverb, amp models, vocoders, and more.
ArpeggiatorTo support your playing and songwriting, there’s an arpeggiator that can automatically generate rhythmical or broken chords (arpeggios), a drum track for quickly playing drum patterns in a variety of styles, and a step sequencer that lets you intuitively create and play back original drum patterns.
SamplingAudio signals coming through the analog inputs can be sampled in stereo. You can also add the built-in effects when sampling, or even resample the programs or combinations. The Nautilus can import sound files in various formats.
Audio and MIDI SequencerThe sequencer provides 16 MIDI tracks and 16 audio tracks (24-bit, 48 kHz) for composing and producing your own music. You can import and export SMF and WAVE files when working with other platforms.
USB FunctionalityThe Nautilus can connect to your computer with a single cable, as it features a USB-B port that supports USB 2.0 for transmitting and receiving MIDI and audio data. The Nautilus features a USB-A port for easy connection to an external storage device.
SpecificationsGeneral
Item Type | Keyboard Workstation |
Sound Generation | Analog Modeling / Digital / Sample-Based |
Keyboard | 61 Full-Size Keys with Synth Action |
Touch Sensitivity | 9 Levels of Sensitivity |
Aftertouch | Yes (Destination Assignable) |
Expression Controls | 1x Joystick 2x Switch |
Transport Controls | Yes |
Display | 7″ / 17.8cm Color TFT Touchscreen |
AD/DA Conversion | 24-Bit / 48 kHz |
Sounds
Number of Sounds, Kits, or Samples | 2560x User Sound Preset 1792x User Sound Preset 264x User Drum Kit |
Number of Song Presets | 200x User |
Favorites Recall | 6x Quick Recall Slot |
Vocoder | Yes |
Set Lists & Kit Chaining | 128x Set List / 128 Slots per Set List |
Maximum Polyphony | 200 Voice |
Multitimbrality | 16-Part |
Internal Memory | 60 GB |
Sampling Formats | AIFF, AKAI, SoundFont 2.0, WAV – 48 kHz / 16, 24-Bit |
Maximum Sample Length | 80 Minutes per Sample (Stereo) |
Built-In Effects | 783x Multi-Effect |
Performance Functions | Arpeggiator, Dual Zone, Layer, Octave Shift, Sampler, Sequencer, Split, Split/Layer, Transpose |
Built-In Speaker | No |
Synthesis
Oscillators | 11x Variable |
Glide/Portamento | Yes |
Sequencing & Recording
Number of Recorder Tracks | 16x Audio 16x MIDI |
Audio Recording Formats | WAV AIFF |
Max Audio Recording Time | 80 Minutes |
Connectivity
Audio I/O | 6x 1/4″ TRS Balanced Line Output 1x 1/4″ TRS Unbalanced Headphone Output 2x 1/4″ TRS Balanced Line Input |
Pedal Support | 1x 1/4″ Footswitch 1x 1/4″ Sustain 1x 1/4″ Control |
MIDI I/O | 1x DIN 5-Pin Input 1x DIN 5-Pin Output 1x DIN 5-Pin Thru |
Patch Points | No |
Sync I/O | No |
Network I/O | No |
USB I/O | 1x USB-B (USB 2.0, Host Connection, MIDI, USB Audio Output) 1x USB-A (USB 2.0, Device/Controller Connection, External Memory) |
Media/Memory Card Slot | No |
Bluetooth | No |
Audio Performance
Frequency Response | 20 Hz to 22 kHz 1 dB |
I/O |
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